G7 leaders in bizarro world, a bunch of people in a bar, a love story and your terror sked for hallowe'en lies ahead, bwahah

A handful of people wind up in a Manhattan bar.  This isn’t a joke, it’s the concept behind a fresh, original film The Arrival, by Alyssa Rallo Bennett and Gary O. Bennett. The bar’s messy and empty otherwise as pairings and singles while away an afternoon. They’re all dealing with some kind of personal crisis. 

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‘The Arrival’ Film review: Strangers in a Not-So-Strange Land

Over the course of one’s life, people enter and leave. Some may carve out lasting bonds, while others are mere acquaintances. Once in a while, there are situations where we find ourselves amongst a group of strangers. Be it some form of social occasion (here, a random Manhattan bar), sometimes a small room of people who have never met can bring a needed clarity into how we perceive the world. Alyssa Rallo Bennett’s The Arrival is just that type of film. 

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The Arrival (2023)

What do you do when someone crosses a line, when someone goes too far? Everyone reacts differently, and when nine strangers meet by chance they will each have the opportunity to see how they respond to such a situation. The Arrival is an up-close-and-personal look at the hardships we face when boundaries are crossed, when our comfortability is compromised. Through the eyes of those nine strangers, all will be revealed...

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